The Lasses of Stewarton
Notation:
Standard Notation
ABC Notation
Mandolin Tablature
Violin Tablature
traditional
PDF Files:
--- choose file type ---
Standard Notation
Mandolin Tablature
Violin Tablature
Tune Sheet
Scottish
Play
MIDI
No audio
available
Transcription: by Darryl D. Bush
"The Lasses of Stewarton", also known as "Lasses of Stewartown/Stewington/Stuarton",
"Da Cross Reel" (Shetland), "The Humors of Williamstown" or "Over the Isles to America"
is a Scottish and Canadian reel in D Mixolydian. The parts are played AABBCCD (Athole,
Gow, Lowe) or AABBCCDD' (Kerr, MacDonald).
This version is from MacDonald's The Skye Collection.
It is another tune commemorating an area's local girls.
John Glen (1891) finds the earliest appearance of the tune in print in Edinburgh
publisher Neil Stewart's Collection of Newest and Best Reels or Country
Dances (1761). It was published again by Stewart in an edition of 1775, then
subsequently appears in several later publications. A version was entered into
the large 1840 music manuscript collection of John Rook (Waverton, Cumbria).
It is related to the Shetland tune
"Da Cross Reel"
a somewhat "crooked" (asymmetrical) version of this tune with only six measures in the last part.
The first sound recording of the tune was probably that by The Cameron Men on a
78RPM record for Edison Bell in London.
It is a very popular old reel among Cape Breton fiddlers and frequently recorded.
It was printed in Campbell's 9th Book of New and Favorite Country Dances &
Strathspey Reels (1795),
Gow's Complete Repository, Part 1 (1799),
John Gow's A Favorite Collection of Slow Airs, Strathspeys and Reels (c. 1804),
Kerr's Merry Melodies, vol. 3 (c. 1880's),
Joseph Lowe's Lowe's Collection of Reels, Strathspeys and Jigs, book 5 (1844-45),
MacDonald's The Skye Collection (1887) and
Stewart-Robertson's The Athole Collection (1884).
It was recorded by Natalie MacMaster on Fit as a Fiddle (1993),
Brenda Stubbert (Cape Breton) on In Jig Time! (1995),
Alex Francis MacKay with Gordon MacLean on Gaelic in the Bow (2005) and
Ronan Martin on Ronan Martin (2008).
Click
here
for a full page view.