Bonaparte's Retreat
Notation:
Standard Notation
ABC Notation
Banjo Tablature
Mandolin Tablature
Violin Tablature
traditional
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Standard Notation
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Violin Tablature - wide
Banjo Tablature - wide
Irish
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Transcription: by Darryl D. Bush
"Bonaparte's Retreat", also known as "Napoleon's Retreat" is an Irish air, march or reel in
2/4 or 4/4 time and D major.
It is also wide spread in America.
One folklore anecdote regarding this melody has it that the original
"Bonaparte's Retreat" was improvised on the bagpipe by a member of a
Scots regiment that fought at Waterloo, in remembrance of the occasion.
Samuel Bayard (1944) concurs with assigning Irish origins for
"Bonaparte's Retreat" and notes that it is an ancient Irish march
tune with quite a varied traditional history. The 'ancient march'
is called
"The Eagle's Whistle"
or "The Eagle's Tune" which
P.W. Joyce (1909) said was formerly the marching tune of the once
powerful O'Donovan family. Still, states Bayard, the evidence of
Irish collections indicates that it has long been common property
of traditional fiddlers and pipers and has undergone considerable
alteration at various hands.
In Southwestern Pennsylvania the march origins were lost and instead
"sets of the tune have been recast into the form, and given title, of
'Old Man and Old Woman a-Quarreling'".
This version was recorded by Aly Bain and Phil Cunningham on The Ruby.
I learned a different version for cross-tuned fiddle from a Mike Seeger
recording but I haven't written it out yet.
The banjo tablature is by John Letscher. His comments:
This is from John Herrman, Dirk Powell and Tim O'Brien on their "Songs From The Mountain" CD.
The B part here is closer to Salyer's than the one on the CD.
This tune is not related to tune such as "Bonaparte's Advance", "Bonaparte's Grand March",
"Bonaparte Crossing the Rhine" and "Bonaparte Over the Alps" except for the title.
It was printed in Bayard's Hill Country Tunes (1944) and
Dance to the Fiddle (1981),
Beisswenger & McCann's Ozark Fiddle Music (2008),
Brody's Fiddler's Fakebook (1983),
Fiddler Magazine, vol. 8, No. 1,
Ford's Traditional Music in America (1940),
Lomax's Our Singing Country (1941) (appears as "Bonyparte") and
Thede's The Fiddle Book (1967).
It was recorded by many performers.
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