Sugar in the Gourd
Notation:
Standard Notation
ABC Notation
Mandolin Tablature
traditional
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Standard Notation
Mandolin Tablature
Song Sheet
American
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Transcription: by Darryl D. Bush
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Lyrics:
I met her on the road and I laid her on a board,
Tune up the fiddle give her Sugar in the Gourd.
Sugar in the Gourd and the gourd upon the ground,
Well you wanna get to sugar got turn the gourd around.
Chorus
Sugar in the Gourd and you can't get it out,
When you wanna get to sugar got to break it all about.
I had a little hen who had a wooden leg,
That's the best hen that ever laid an egg;
Laid more eggs than he had around the farm,
And another drink of liquor wouldn't do you any harm.
Chorus
I went down in the old clay field,
Blacksnake grabbed me by the heel;
I turned around to do my best,
And drove my head in a hornet's nest.
Chorus
Went to the church want to climb the steeple,
Looked right down upon them people;
Some looked black and some looked blacker,
And some looked the color of a plug of tobaccer.
Chorus
"Sugar in the Gourd" is an old-time breakdown from Virginia, West Virginia, North Georgia,
Alabama, Arkansas and Missouri in G Major (Brody, Perlman, Reiner & Anick) or A Major (Frets,
Silberberg). The parts are played AB (Silberberg), AABB (Brody, Perlman, Reiner & Anick) or
AA'BB'C (Frets). There are several "Sugar in the Gourd" tunes, related and unrelated.
This version of "Sugar in the Gourd" is melodically related to "Turkey in the Straw" and
historically predates it, the words having been printed in the 1830's (Charles Wolfe).
There are a few explanations of the meaning of the title. Formerly it has been thought that
‘sugar in the gourd' might refer to a practice of hanging sugar-filled vegetable gourds around
a dance floor—to ease the friction for dancers sugar would periodically be thrown on those
sections of the floor where the traffic was the heaviest. Another explanation, not mutually
exclusive, is that ‘sugar in the gourd’ is a sexual euphemism.
"Sugar in the Gourd" is one of the tunes fiddlers would play to vie with each other in some
older fiddle contests; the best version of "Sugar" and a few other 'universally' known tunes
won the fiddler the prize. The title appears in a list of traditional Ozark Mountain fiddle
tunes compiled by musicologist/folklorist Vance Randolph, published in 1954.
Ken Perlman (1996) writes that this American southern tune was in circulation on Canada’s Prince
Edward island in the pre-radio 1920's, although how it got there is a mystery. His P.E.I.
collected version is similar to one printed by Reiner & Anick, from the playing of Georgia
fiddler John Carson who recorded the melody in 1924, and it seems possible that this recording
was obtained by an unknown P.E.I. fiddler who learned the tune from it.
It was printed in
Bayard's Dance to the Fiddle (1982)(contains two tunes under the "Turkey in the Straw" family,
Brody's Fiddler’s Fakebook (1983),
Frets Magazine, "Byron Berline: The Fiddle," October 1987,
Kuntz's Ragged but Right (1987),
Perlman's The Fiddle Music of Prince Edward Island (1996),
Phillips' Fiddlecase Tunebook (1989),
Reiner & Anick's Old Time Fiddling Across America (1989) and
Silberberg's Tunes I Learned at Tractor Tavern (2002).
It was recorded by
Earl Collins on That's Earl,
Ace Weems and the Fat Meat Boys,
John Ashby on Down on Ashby's Farm,
Kahle Brewer and Stoneman's Dixie Mountaineers on Old-Time Fiddle Classics,
John McCutcheon on Barefoot Boy With Boots On (1981),
Tweedy Brothers,
Pete McMahon on Kansas City Rag,
Fiddlin John Carson (1924),
Gid Tanner and the Skillet Lickers on Hear These New Southern Fiddle and Guitar Records,
Sidney Baglole on Fiddlers of Western Prince Edward Island (1997),
Byron Berline & John Hickman on Double Trouble (1924) and
Fiddlin' Cowan Powers, Howard Marshall & John Williams on Fiddling Missouri (1999).
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