Martha Campbell
Notation:
Standard Notation
ABC Notation
Banjo Tablature
Mandolin Tablature
Violin Tablature
traditional
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Standard Notation
Banjo Tablature
Mandolin Tablature
Violin Tablature
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Mandolin Tablature - wide
Violin Tablature - wide
Banjo Tablature - wide
American
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Transcription: by Darryl D. Bush
"Martha Campbell" also known as "Marthie Campbell" is an old-time American breakdown
from eastern Kentucky and Indiana in D Major. It is sometimes played AB (Silberberg),
ABB (Brody), AABB (Krassen, Phillips) or AA'BB' (Phillips, Reiner & Anick). I show it
here as AABB.
It is known as a Kentucky tune, once regionally associated with the northeastern and central part
of the state, but now wide-spread. The tune has been reworked as a bluegrass and contest
standard and was popularized among Texas fiddlers by Orville Burns.
It was of the first tunes recorded by Kentucky fiddler Doc Roberts (1897–1978), in 1925.
Music historian Charles Wolfe (1983) believed the tune related to Roberts' "Brickyard Joe" and
stated the Kentucky fiddler probably learned the tune from African-American fiddler Owen Walker
of Madison County, Ky., a mentor, around 1915. Jeff Titon (2001) is also of the opinion that
"Martha Campbell" may have had an African-American provenance and the process of aural
transmittal of the tune from source fiddlers appears to be from black to white. He reports
that Ky. fiddler Darley Fulks spoke of hearing the melody for the first time in the 1920's
from "colored fiddlers" and notes that Fulk's version, unique to him, included a bass part
that Fulks maintained African-American fiddlers included in their renditions.
"Martha Campbell" was also recorded in the field by the Lomax's from the playing of white
Virginia fiddler Emmett Lundy in 1941, when he was 80 years old.
It was printed in Brody's Fiddler's Fakebook (1983), Krassen's Masters of Old-Time Fiddling
(1983), Phillips's Fiddle Case Tunebook: Old Time Southern (1989), Phillips's Traditional
American Fiddle Tunes, vol. 1 (1994), Reiner & Anick's Old Time Fiddling Across America (1989),
Silberberg's Fiddle Tunes I Learned at the Tractor Tavern (2002), Titon's Old Time Kentucky
Fiddle Tunes (2001).
It was recorded by John M. Salyer, Walter McNew, Doc Roberts, Art Stamper, Bill Christophersen,
Buddy Thomas, Blind Bill Day (a pseudonym for Jilson Setters, b. 1860), Ace Sewell.
I learned it at Midwest Banjo Camp.
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