Occidental Hornpipe
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Mandolin Tablature
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Transcription: by Darryl D. Bush
"Occidental Hornpipe" also known as "Holmes' Hornpipe" or "Pirate's Hornpipe" is an American
hornpipe in G Major. The parts are played AABB. Like the "Oriental Hornpipe", this tune may
possibly have been named for a New York City concert saloon. Brooks McNamara, in his book
The New York Concert Saloon: The Devil's Own Nights (2002), records:
In 1864, the Occidental may well have had both music and waiter girls, who spent at least
part of their time performing. The veteran William Allen had both a piano and violin at the
Occidental. "Taking a look around the internal arrangements," wrote the Clipper (a period
entertainment periodical), "we noticed a piano fixed plumb up against the windows facing the
street - rather a cold place in the winter time - with a very nice looking girl seated thereat;
and by her side sat a violinist. While the latter fiddled the former played upon the grand
pianner."
There have been many Occidental Theaters, however (if indeed the title refers to a venue.
Occidental theater is also a genre of performance with dialogue, as opposed to the Oriental
theater, which emphasizes movement). The tune was published twice in William Bradbury Ryan's
Mammoth Collection (1883), in the key of 'G' as "Occidental Hornpipe" and the key of 'Eb' as
"Holmes' Hornpipe." A few years later, across the Atlantic, it appeared in Laybourn's Köhler’s
Violin Repository Book 3 (Edinburgh, 1885) as "Pirate's Hornpipe," also in the key of Eb.
It was printed in Ryan's Mammoth Collection (1883) and Cole's 1000 Fiddle Tunes (1940).
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