Yellow Barber
Notation:
Standard Notation
ABC Notation
Banjo Tablature
Mandolin Tablature
Violin Tablature
traditional
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Transcription: by Darryl D. Bush
"Yellow Barber", also known as "Arthur Berry" American reel in D Major.
The parts are played AB (Silberberg, Titon) or AABB (Phillips).
Although the name Yellow Barber is given to a bird species, the general
consensus seems to be that the title refers to a mulatto barber, a common
occurrence among freemen in the South as well as other parts of the country.
"Yellow" is a term applied to a light-skinned bi-racial person in the 19th
century (see the notes for "Yellow Rose of Texas").
It appears to have also been fairly common for fiddlers and other musicians to
moonlight as barbers (or vice versa). John Heine has found a reference to a
mulatto barber named William B. Taylor, a fiddler born in Kentucky in 1821, who
called the figures as he played. Taylor's Band, composed of barbers, played
for hundreds of balls, banquets and steamboat excursions in the Minnesota
territory from 1849 until his death in 1862. Taylor called figures while he
played and is was remembered as having "a voice a brigadier general might envy".
Mark Wilson remarks that fiddlers east of Portsmouth, Ohio, often called the
tune "Arthur Berry".
The latter 18th century Scottish air "Aldivalloch", also known as "Over the
Moor among the Heather" may well be an ancestor of "Yellow Barber"/"Arthur
Berry".
The banjo tab is by John Letscher who says that it is mostly from the playing
of Gerry Milnes and Lorraine Lee-Hammond on Hell Up Coal Holler.
It was printed in Phillips' Traditional American Fiddle Tunes vol. 1 (1994),
Lamancusa's The Gettysburg Collection of Old-Time Fiddle Tunes (2021),
Silberberg's Tunes I Learned at Tractor Tavern (2002) and
Titon's Old Time Kentucky Fiddle Tunes (2001).
It was recorded by Buddy Thomas on Buddy Thomas: Recordings from the
collection of Dave Spilkia & Ray Alden (2015),
Buddy Thomas on Kitty Puss: Old Time Fiddle Music From Kentucky (1976),
Dave Bing on Family and Friends,
John W. Summers on John W. Summers, Indiana Fiddler (1984) (as “Arthur Barry”),
Buddy Thomas (et al) on The Art of Traditional Fiddle (2001),
Bruce Molsky on Lost Boy (1996) and
Gerry Milnes & Lorraine Lee Hammond on Hell Up Coal Holler (1999).
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